PR: License Announcement – July 2 at comingsoon.rightstuf.com & Anime Expo 2010

[June 30, 2010]

RIGHT STUF & NOZOMI ENTERTAINMENT
NEW LICENSE ANNOUNCEMENT at
ANIME EXPO 2010 & COMINGSOON.RIGHTSTUF.COM

Details revealed at approximately 7 p.m. EDT on Fri., July 2, 2010

WHO:
Right Stuf Inc.’s Nozomi Entertainment

WHAT:
New License Announcement

WHEN:
Friday, July 2, 2010
7 p.m. EDT / 6 p.m. CDT / 5 p.m. MDT / 4 p.m. PDT

WHERE:
- Visit comingsoon.rightstuf.com to

-   take part in the official countdown and
-   chat and speculate about the announcement.

- Follow Right Stuf and Nozomi on Twitter (http://twitter.com/animetoday).

OR

- Attend the Right Stuf and Nozomi Entertainment Industry Panel at Anime Expo 2010.
(Location: LP 2 – Los Angeles Convention Center Rm. 502)

WHY:
So far, in 2010, Right Stuf and Nozomi Entertainment have announced licenses for fan-favorite series including Dirty Pair TV, El-Hazard: The Wanderers and both seasons of Super GALS! At last year’s panel, the release plans for seasons one and two of Junjo Romantica, Antique Bakery, and ARIA The ORIGINATION and The OVA ~ARIETTA~ were unveiled. What does Right Stuf President and C.E.O. Shawne Kleckner have planned for this year’s event?

ABOUT RIGHT STUF, INC.
Currently celebrating its 23rd year in business, Right Stuf, Inc. was one of the first players in the U.S. Japanese Animation (“anime”) industry, as both an anime producer/distributor and a retailer. Right Stuf works to promote knowledge of its own products, as well as the anime and manga industry, in general, through its online storefront at RightStuf.com and a variety of media including podcasts and special publications.

Nozomi Entertainment, Right Stuf’s production division, is dedicated to the highest quality releases. True to the Japanese word that inspired its name, Nozomi’s focus is on “what fans want.” By focusing on a limited number of anime properties each year, the Nozomi production team ensures each release receives the care and attention to detail it deserves.

From anime classics like Astro Boy, Kimba and Gigantor to modern comedies, dramas and favorites such as The Irresponsible Captain Tylor, His and Her Circumstances, Gravitation, Ninja Nonsense, The Third: The Girl With the Blue Eye, Emma: A Victorian Romance, Maria Watches Over Us, ARIA, Gakuen Alice, Rental Magica and Junjo Romantica, Right Stuf and Nozomi Entertainment produce quality programming for fans of all ages and interests. For more information, visit www.rightstuf.com and www.nozomient.com.

###

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PR: Right Stuf & Nozomi Entertainment at Anime Expo 2010

[June 28, 2010]

RIGHT STUF & NOZOMI ENTERTAINMENT at ANIME EXPO 2010
Panel, Screenings of JUNJO ROMANTICA, RENTAL MAGICA & more!

GRIMES, Iowa, June 28, 2010 – Anime producer and distributor Right Stuf, Inc. and Nozomi Entertainment unveiled their events schedule for Anime Expo 2010, which takes place July 1-4, at the Los Angeles Convention Center in Los Angeles, California.

Right Stuf & Nozomi Entertainment at Anime Expo 2010:

Right Stuf & Nozomi Entertainment Industry Panel
Day 2: Friday, July 2 at 3:30 p.m. PDT / Location: LP2 (LACC 502)
Join Right Stuf President and C.E.O. Shawne Kleckner for the inside scoop on Nozomi Entertainment’s DVD releases of Junjo Romantica, Maria Watches Over Us (Maria-sama ga Miteru), El-Hazard: The Wanderers and Dirty Pair, plus a sneak peek at its newest acquisitions and a Q&A session.

Screenings! Lots of Screenings!
See the Anime Expo video schedule for updated times/locations.

Watch out for the following titles from Right Stuf’s Nozomi Entertainment: Gakuen Alice, Junjo Romantica, Maria Watches Over Us (Maria-sama ga Miteru), Ninja Nonsense (Ninin ga Shinobuden) and Rental Magica.

Visit www.rightstuf.com and the Anime Today forums at www.animetoday.com, and follow Right Stuf and Nozomi on Twitter (http://twitter.com/animetoday) for breaking news throughout the convention weekend.

ABOUT RIGHT STUF, INC.
Currently celebrating its 23rd year in business, Right Stuf, Inc. was one of the first players in the U.S. Japanese Animation (“anime”) industry, as both an anime producer/distributor and a retailer. Right Stuf works to promote knowledge of its own products, as well as the anime and manga industry, in general, through its online storefront at RightStuf.com and a variety of media including podcasts and special publications.

Nozomi Entertainment, Right Stuf’s production division, is dedicated to the highest quality releases. True to the Japanese word that inspired its name, Nozomi’s focus is on “what fans want.” By focusing on a limited number of anime properties each year, the Nozomi production team ensures each release receives the care and attention to detail it deserves.

From anime classics like Astro Boy, Kimba and Gigantor to modern comedies, dramas and favorites such as The Irresponsible Captain Tylor, His and Her Circumstances, Gravitation, Ninja Nonsense, The Third: The Girl With the Blue Eye, Emma: A Victorian Romance, Maria Watches Over Us, ARIA, Gakuen Alice, Rental Magica and Junjo Romantica, Right Stuf and Nozomi Entertainment produce quality programming for fans of all ages and interests. For more information, visit www.rightstuf.com and www.nozomient.com.

###

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UPDATES!

Aligator Pop Update The month of July 2010 was swallowed up by work! Incoming updates, ahoy! :)

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Playlist: 2010.06.26 – Time Is Running Out

PlaylistThe month of June is a wash for anything except work, and it’s really crunch-time right now with Anime Expo next week. The nice part is that, soon, I’ll be able to actually talk about some of the stuff I’ve been working on for the last several months. Yay! ♫

Time Is Running Out

  • “Time Is Running Out” – Muse
  • “The Hand That Feeds” – Nine Inch Nails
  • “FLY ME TO THE MOON” – Aki (Neon Genesis Evangelion OST)
  • “I Love You” – Matthew Sweet
  • “Bright as Yellow” – The Innocence Mission
  • “Through With You” – Maroon 5
  • “Let My Love Open the Door” – Pete Townshend
  • “Dreamin’” – Weezer
  • “Missing” – KinKi Kids
  • “Forget It All” – Coming Century
  • “Good Intentions” – Toad the Wet Sprocket
  • “Lu:na” – Gackt
  • “Beautiful Days” – Arashi
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Podcast: Right Stuf’s ANIME TODAY Interview: Anime Expo 2010 Preview With Kim Groomes

It’s that time of year, again!

Right Stuf’s ANIME TODAY Previews
ANIME EXPO 2010 With Director of PR Kim Groomes

The Slayers, Japanese wedding traditions, reviews, contests & more in episode 114!

GRIMES, Iowa, June 24, 2010Anime producer and mega-online anime retailer Right Stuf, Inc. is pleased to welcome Kim Groomes – the director of public relations for Anime Expo 2010 – to episode 114 of ANIME TODAY.

In this new interview, Groomes previews this year’s edition of Anime Expo and what fans attending the event can expect to see, including guests of honor from the anime and manga industries, an array of musical guests, the masquerade, the AX Idol competition, and much more!

Listen to it NOW!
- With show notes;
- Enhanced version; or
- Audio-only version

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PR: Super GALS! Complete DVD Collection Announced for Oct. 5, 2010

[June 22, 2010]

RIGHT STUF’S NOZOMI ENTERTAINMENT Announces the
Super GALS! Complete DVD Collection

Entire 52-episode series collected in one collection for the first time, available October 5, 2010

GRIMES, Iowa, June 22, 2010 – Anime producer and distributor Right Stuf, Inc. and its Nozomi Entertainment division are pleased to announce the Super GALS! Complete DVD Collection will be available on October 5, 2010.

This new release collects both seasons of Super GALS! together, for the first time ever, in one DVD set.

  • Season 1 (Episodes 1-26) will feature English and Japanese audio options, English subtitles and on-screen translations.
  • Season 2 (Episodes 27-52) will feature Japanese dialogue, English subtitles and on-screen translations.

The Super GALS! Complete DVD Collection will be housed in a single keepcase and will also include on-disc liner notes, The Super GALS! Explain It All 1-6, the series’ clean opening and closing, and more.

Based on the manga by Mihona Fujii, Super GALS! features production by Studio Pierrot (Naruto, Fushigi Yûgi, Saiyuki, Yumeiro Pâtissière) and direction by Tsuneo Kobayashi (Emma: A Victorian Romance, The Twelve Kingdoms).

Visit supergals.rightstuf.com for more information about Super GALS!, to view the series trailer, and to pre-order the DVD set.

About Super GALS!

Sporting designer clothes, make-up, and nails, Ran Kotobuki is the very picture of a trendy, young Shibuya girl, but don’t let that fool you. This girl comes from a family of cops, and she’s ready to lay you out flat if you even think about causing trouble in her town! At least, she will… when she’s not distracted with karaoke, shopping, and dodging her homework. Join Ran and her friends as they defend the streets of Shibuya and attempt to shop their way into the history books as the most famous Gals ever! All 52 episodes, every ironclad rule, and all the Shibuya slang packed into a single, complete set!

Super GALS! Complete DVD Collection

Super GALS! Complete DVD Collection (Seasons 1 & 2)
Pre-Book: 9/7/2010
Street Date: 10/5/2010

Runtime: Approximately 1300 minutes, Dolby Digital Stereo, Color
Genre: Comedy
Suggested Rating: 13+

Format: DVD (Season 1: English, Japanese, English Subtitles, English On-Screen Translations; Season 2: Japanese, English Subtitles, English On-Screen Translations)
Catalog #: RSDVD1033
ISBN: 1-57032-775-0
UPC: 7-42617-1033-2-2
SRP: $59.99

Discs/Set: 10
Case Qty: 14 / case

DVD Features:
Season 1 (Eps. 1-26):
Dolby Digital 2.0 stereo audio for English and Japanese dialogue, English subtitles and on-screen translations. Season 2 (Eps. 27-52): Dolby Digital 2.0 stereo audio for Japanese dialogue, English subtitles and on-screen translations. PLUS: Clean opening, clean closing, The Super GALS! Explain It All 1-6, Super GALS! trailer, GALS! Slang, liner notes, character bios and Nozomi trailers.

* Cover Art: http://outgoing.rightstuf.com/sleeves/rsdvd1033.jpg
Super GALS! © 2001 MIHONA FUJII / SHUEISHA • TV TOKYO • GALS! PROJECT.
* To view this image, cut and paste the URL into your Web browser.

** Product specifications and content may be subject to change.

ABOUT RIGHT STUF, INC.
Currently celebrating its 23rd year in business, Right Stuf, Inc. was one of the first players in the U.S. Japanese Animation (“anime”) industry, as both an anime producer/distributor and a retailer. Right Stuf works to promote knowledge of its own products, as well as the anime and manga industry, in general, through its online storefront at RightStuf.com and a variety of media including podcasts and special publications.

Nozomi Entertainment, Right Stuf’s production division, is dedicated to the highest quality releases. True to the Japanese word that inspired its name, Nozomi’s focus is on “what fans want.” By focusing on a limited number of anime properties each year, the Nozomi production team ensures each release receives the care and attention to detail it deserves.

From anime classics like Astro Boy, Kimba and Gigantor to modern comedies, dramas and favorites such as The Irresponsible Captain Tylor, His and Her Circumstances, Gravitation, Ninja Nonsense, The Third: The Girl With the Blue Eye, Emma: A Victorian Romance, Maria Watches Over Us, ARIA, Gakuen Alice, Rental Magica and Junjo Romantica, Right Stuf and Nozomi Entertainment produce quality programming for fans of all ages and interests. For more information, visit www.rightstuf.com and www.nozomient.com.

###

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Review: Strictly Ballroom

Strictly Ballroom

“All the world’s a stage. . .”

Since the dawn of motion pictures, few have taken Shakespeare’s words more to heart than Australian writer and director Baz Luhrmann. On the heels of special edition-style releases of his other works (William Shakespeare’s Romeo + Juliet and last year’s hit Moulin Rouge), it is only fitting that the first installment of his self-described “red curtain trilogy” — Strictly Ballroom — celebrates its tenth anniversary with a DVD release that will be of extreme interest to both longtime and newly-baptized fans of his unique filmmaking style.

An obvious attraction of DVDs, in general, is their ability to provide the supplemental materials that fans crave. Strictly Ballroom is no exception to this trend.

Extras include a hidden-scene “Easter egg,” galleries of production materials and a presentation of “From Samba to Slow Fox,” the documentary that served as inspiration for both the original stage production of Strictly Ballroom and its eventual film adaptation. The final touch is a newly-recorded, feature-length audio commentary by Luhrmann and his frequent collaborators, production designer Catherine Martin and choreographer John “Cha Cha” O’Connell. Director-driven features are becoming less and less of a novelty with each DVD release, but Luhrmann and company are so enthusiastic about this work — and its ties to their later projects — that the commentary feels less like a film school lecture and more like a conversation among friends at a local watering hole, by turns informative and boisterous.

Bells and whistles aside, in the end, what leaves a lasting impression is the film itself. . . an unabashed fairy tale of a comic-romance that is grounded enough in reality to let audiences believe, if only for 95-odd minutes.

Instead of long ago and far away, Luhrmann stages Strictly Ballroom in a microcosm that may as well be an alien landscape for most viewers: the Australian world of ballroom dancing. With hard work, elaborate costumes and the right moves, anyone can rise from his or her normal workaday role and be a star for at least as long as that night’s spotlight dance.

The son of a former ballroom champion, Scott Hastings (Paul Mercurio) was raised to succeed in this world. After years of hard work, the grand prize for which he has been striving is within his grasp. . . IF he dances the meticulously prescribed steps that have been choreographed for him by his mother (Pat Thompson), by the dysfunctional, extended family of her studio and by ballroom dancing’s governing board.

A spectacularly creative and rule-breaking performance prompts his partner (Gia Carides) to ditch him just weeks before the big competition, and he finds himself wondering — to the dismay of those around him — if he even wants to win the title. At this low point, Scott is approached by the studio’s “ugly duckling,” a beginning dance student named Fran (Tara Morice). Unlike all the others, she does not just want to dance with him, she wants to dance with him, his way, despite the obstacles she knows they will face.

Luhrmann and his team, from the actors to the production crew, succeed where others have stumbled in the process of adapting stage works for the big screen. They celebrate theater’s trappings — lighting, sound, exaggeration and pageantry — while preserving the intimacy, intensity and humor that accompanies the best live performances. This heightened contrast between “show” and “real life” makes the characters’ attempts to bridge the opposing realities as poignant as they are frequently comic.

Will Scott and Fran achieve their shared dream of a “life without fear” and a love of dance, embracing the possibilities that it can bring? As the red curtain closes on their final tableaux, Luhrmann answers the question bravely and decisively, with humanity. . . reminding us that we are all merely players.

Release Info:

STRICTLY BALLROOM DVD Specs & Extras
- 1:85:1 for 16×19 television screens.
- 5.1 audio sound.
- French and Spanish subtitle options.
- Audio commentary with director Baz Luhrmann, production designer Catherine Martin and choreographer John “Cha Cha” O’Connell.
- “From Samba to Slow Fox” dancing featurette: The documentary that inspired Strictly Ballroom.
- Special deleted scene: A DVD “Easter egg” showing a scene cut from the theatrical version and presented to audiences for the first time.
- 3D gallery of production art and promotional sketches.
- “Red Curtain”-inspired, animated menus.

STRICTLY BALLROOM Rated PG for “mild language and sensuality.” Available on DVD. © 1992-2002 Miramax Home Entertainment/Buena Vista Home Entertainment. All rights reserved.

Review copy provided by and special thanks to Karen Penhale at Carl Samrock Public Relations.

(Article originally published in March 2002.)

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Review: The Spanish Prisoner

The Spanish Prisoner

Don’t talk to strangers. When you travel, never agree to carry a package for someone you don’t know. Money is the root of all evil. Keep your friends close and your enemies closer.

They say all clichés and sayings are based on at least a kernel of truth. If only we’d pay closer attention.

The Spanish Prisoner, both written and directed David Mamet (Pulitzer Prize-winning playwright of Glengarry Glen Ross), focuses on these fundamental rules in a smart puzzle of a movie that demands the full attention of its viewers.

Joe Ross (Campbell Scott) is the lead inventor of a “process” that will make his employer vast amounts of money. He is an unassuming guy who takes it as a compliment when the new girl in the office (Rebecca Pidgeon) says that he lives up to his reputation as a “boy scout.” While on a company-sponsored trip to the islands to sell the idea to investors, a stranger (Steve Martin) approaches Joe and offers him $1,000 in exchange for his camera/film. Joe hands the camera over as a “gift,” slightly offended that the man felt he had to pay him for the “favor.” (Yes. This is strange.) Later on, he bumps into the man, who introduces himself as Jimmy Dell. Dell explains that one of Joe’s shots incidentally included his friend’s wife — who wasn’t supposed be on the island at that time. The men share a laugh, drinks and some interesting conversation. As Joe is leaving for the airport, Jimmy asks him to deliver a package to his sister in New York City, and the game is set into play.

Scott’s embodiment of the soft-spoken, idealistic and all-too-trusting inventor makes “Joe” stand out among the corporate sharks with whom he associates on a daily basis. His naiveté, when combined with his insecurity, makes him the perfect “mark.” A standout performance by Martin, as Joe’s newfound acquaintance, is seductive and essential to the plot’s execution. Jimmy Dell is confident and worldly, things that Joe admires and, to a certain extent aspires to, despite his overriding “boy scout” instincts. An ensemble of seasoned supporting actors, including Pidgeon, Felicity Huffman, Ben Gazzara and Ricky Jay, handle Mamet’s potentially challenging lines and scenarios with aplomb.

Significantly, the dialogue-driven film is David Mamet’s understated take on what could be considered a classic Hitchcock premise: Take an ordinary man, put him in an extraordinary situation and see how he handles it. Once the carefully-laid plot is set into motion, it takes on a momentum of its own and is supported, almost from moment one by recurring visual cues and clues.

By taking everyday fears — that most brush off as simple neuroticism and paranoia — and transforming them into reality, The Spanish Prisoner forces its audience to look beyond the obvious in a most entertaining way.

THE SPANISH PRISONER, written and directed by David Mamet and starring Campbell Scott, Rebecca Pidgeon and Steve Martin. Rated PG. 112 minutes © 1998 Sony Pictures Classics.

(Article originally published in December 2000.)

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Review: The Matrix Revisited

The Matrix Revisited

The Matrix Revisited, a special documentary that is available alone and packaged with the original movie, allows viewers a behind-the-scenes look at the first movie’s creation, as well as brief glimpses into what promises to be one of the more unique, multimedia franchises created in the last few years.

The bulk of the disc is devoted to a nearly two-hour documentary about The Matrix‘s origins and the first film’s creation. The interviews, which include series creators Andy and Larry Wachowsky, stars Keanu Reeves, Lawrence Fishburne, Carrie-Anne Moss and Hugo Weaving, producer Joel Silver, director of photography Bill Pope, production designer Owen Paterson, costume designer Kym Barrett, fight coordinator Master Yuen Wo Ping and more, bring home how amazing a feat is was that the first movie saw the light of day — from the innovative camera and special effects work to the sheer-physicality demanded of its actors and stunt personnel.

The icing on the cake — the DVD’s “extras” — range from details about the upcoming movies, The Matrix anime project (Animatrix) and the upcoming video game to a promised three hours of hidden bonus footage, known as “Easter eggs.” (Don’t worry if you can’t find them. Some enterprising person is sure to post them on the ‘Net sooner or later.)

Partly a gift to its fans, partly a way to tap the current trend of DVDs with a ton of extras, The Matrix Revisited is a worthy addition to the video libraries of both fans and those who love to know “How did they do that?” (This is one case where the answer to that question is actually very interesting.)

Release Info:

THE MATRIX REVISITED © 2001 Warner Home Video, Village Roadshow Pictures and Silver Pictures. All rights reserved. Available on VHS and DVD singly and as part of a MATRIX/MATRIX REVISITED two-pack.

Review copy provided by and special thanks to Carl Samrock Public Relations.

(Article originally published in November 2001.)

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Playlist: 2010.06.09 – Number Crunching

PlaylistMost of this afternoon was devoted to sales figures and statistics. I think the multiple Oasis tunes in today’s shuffles — there were two this morning, also(!) — are a not-so-subtle sign that the universe knows I’m going to end up buying their newest collection. ♪

Number Crunching

  • “Thunderkiss ’65″ – Rob Zombie
  • “Brother John” – Blues Traveler
  • “Cast No Shadow” – Oasis
  • “Accused of Love” – Tom Petty & the Heartbreakers
  • “Wonderwall” - Oasis
  • “Double Agent” – Rush
  • “Let’s Take a Ride” – Justin Timberlake
  • “Surfin’ USA” - The Beach Boys
  • “Another Horsedreamer’s Blues” - Counting Crows
  • “Rising Sun” – DBSK/Tohoshinki
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